Lois Lowry's well-loved classic,
The Giver, hits the silver screen Friday, August 15. Well produced, beautifully filmed, and featuring big name celebrities like Meryl Streep, Jeff Bridges, Taylor Swift, and Katie Holmes, the cinematic adaptation of
The Giver has created a buzz in the conservative community, but does it live up to the hype?
I cringed when I heard the conservative community touting
The Giver as a great film. I read the book in grade school, loved it, and naturally assumed the desperation for an ideologically friendly film would've produced the epic suckage we've come to see in releases like Atlas Shrugged.
I figured rather than making a movie that subtly blended favorable ideological tones with great story telling, we were getting yet another awful conservative film; one so hell bent on brow beating conservatism, it sucked the joy right off the screen. I was very wrong.
Set in a community genetically and physically designed to achieve absolute equality, the film opens with three teenagers preparing for their assignment day. "From great suffering came a solution, communities," Meryl Streep's character explains. Everyone in the community is assigned family units, clothes, jobs, and pretty much everything else that could possibly be assigned. Designed to be devoid of almost all emotion, the entire community merely exists. There is no love, no human connection, no pain, no living.
Sameness was meant to protect humanity from pain, jealousy, envy, greed, the unexpected, and everything that ails the human condition. As events unfold, it's evident that despite their best intentions, the desire for sameness comes with calamitous consequences.